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Archive for the ‘Writer’s Workshop’ Category

Prompts can offer you a lift-off point to write from, a way to free associate without worrying about having to tie it to any ultimate goal. You just take a simple notion and write a few lines or even a page around that one idea. You can start or end with it, use as dialog or work it into exposition. Try the one below and see where it takes you!

Today’s Prompt:  Where did I park the car?

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In the writing world, the sentence is sacrosanct, although we tend to take them for granted, because there will be so many of them in our writing lives. But, in the grand scheme of the history of the written word—or in the significantly smaller realm of your own career—does one single sentence matter all that much?

Well, yes. (more…)

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This is a literal exercise. The use of color is a powerful tool to convey meaning and mood to the reader without having to come out and say everything. Color influences our perception of everything we experience, and writing is a visual medium in that it creates pictures in the reader’s mind of the story enfolding. Enhancing this picture with color cues can lend a great deal to the narrative, providing psychological and emotional nuance. And, it’s fun to play with.

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Pyramid Lake

A Writer’s Retreat – Photo by Linda Peckel

We all need a quick splash of water in our faces in the morning–think of this as waking your creative spirit!

It’s less than a week since I returned from a writer’s retreat in the Adirondacks, in a place so remote you won’t hear a phone ring or a TV, but you’ll hear the loons call as you drift off to sleep. It was the perfect atmosphere for many of us to reconnect with the words and images in our heads, and we had a number of talented workshop leaders giving us prompts and brief exercises each morning to help us find that overgrown pathway to our own creative attics. By Friday morning, we could all hear the wind blow, and we were writing about moments and memories we rarely thought of.

I discovered that in the past years of finishing a novel (which is different from the early stages of developing it) while doing multiple jobs each week just to pay the bills, I had lost the ability to simply write…

My workshop guide was a wonderfully lyrical poet, writer and editor from the Baltimore Review named Lalita Noronha. Each morning she served us seemingly easy challenges to just respond to a prompt, an idea, or an approach—and to me it felt like riding a bicycle with ice skates through a lake. Despite years and years of writing all kinds of content, copy, and prose, I simply had no idea where to start.

The beauty of these exercises is they are very simple, quick, and they help you find new starting points. If nothing else, you have written something fresh.

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