Posts Tagged ‘Music’

It may be a while before we find our way home again.

This blog has fallen idle in the past year or two because truthfully, I didn’t know what to say anymore. I wrote my first post on Christmas Eve, 2009, after something we never knew could fall did, and the message was that Art Matters. From then on I wrote about the crossroads of where Art and Life meet. There was no shortage of topics—just a shortage of time to cover them.

But as life around us grew more serious with events like Aurora and Newtown*—which occurred just 11 miles from where I was living at the time, and two days after I interviewed Kenny Loggins and the Blue Sky Riders—it seemed that art of all kinds began to recede into the background. Dare I say it—we became less relevant?

And now, on the first day of a very different world for all of us, it seems that the last thing on the agenda is art of any kind. Artists, musicians, composers, filmmakers, writers, etc.—we all seem to be quite beside the point.

But nothing is further from the truth.

What you do with your art in the next few years will be informed by the massive changes in the way we are coming to live and to think on a daily basis. We will all be challenged on our values, no matter what they are, because we now cohabit a world in a heightened state of disagreement, of conflict, and of confusion.

History does repeat, and looks at lot like the early 60s, a time that led directly into a creative explosion. Art thrives in adversity and finds its voice. Artists of all kinds are ridiculously brave in the darkness, willing to put fingers out into the unknown and explore whatever could be out there. What they show us about ourselves through songs and movies, in paintings and stories, will amaze us and open our hearts. It happened before and will happen again, and soon.

Of course, there is a unique lack of appreciation for any of the arts within the new administration, which has set as one of its first goals the elimination of funding to the National Endowments for the Arts (NEA) and Humanities (NEH). Really? A world in crisis and the first order of business is to cut out the arts? But I do digress….

The arts are and have always been the soul of our entire way of life. Artists are now charged with preserving our culture, as they have been since the first cave drawings were made. We capture not just the facts, but the raw emotions of the smallest moment in time, protecting and projecting images of who and what we are that are likely to outlive any number of transitions in our government.

And in the middle of the chaos to come, the words, the pictures and the thoughts will be released from a collective creativity that will lead us to understanding, to empathy, and hopefully to peace of mind. The message today is the same as it was in 2009: Art Matters. And now it matters more…please keep at it.

So welcome again to the Arts Enclave Blog – Where Art and Life Meet!

*going right up to the biggest and most lethal shooting in Orlando in December of 2016

© Copyright 2017 – Arts Enclave.

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In his new memoir, “Possibilities,” Herbie Hancock describes the single most illuminating moment in his jazz career. It came when he was very young, playing keyboard with Miles Davis. During the show, Hancock suddenly played a chord he called, “so wrong” that he was stunned into momentary silence. “But Miles didn’t judge it,” he said in an interview with Jared Bowen. “He paused and played a few notes that suddenly made it work.”

It took years for Hancock to integrate that moment into his personal musicianship—to learn not to judge the work—but it changed everything he did. The concept of going into the unfamiliar in art has fascinated me for a while—I even wrote an awkward analysis of Neil Young’s forays in a post called, The Unexpected Note, when I had even less knowledge of music. But I think the arts are all connected, and we will get to the answers sooner if we take multiple routes.

Hancock later discovered Buddhism as a way to break boundaries in his own thinking that opened up the possibilities of his music—and here, later in his career, he seems to have coalesced his thinking in ways that he can pass on to me people like you and me.

I haven’t read his new memoir, Possibilities, but it goes on my reading list today.

In a series of lectures he gave recently at Harvard on the Ethics of Jazz, Hancock discussed the nature of creativity in the context of his extraordinary career. He has a lot to say verbally as well as musically, so it can take a while to take him in. But it’s extremely articulate and it’s well worth it. Here’s an especially interesting talk he gave on Buddhism and Creativity.

“Buddhism is uncovering and leading a creative life, and in the process, establishing your own story. A common viewpoint holds that one’s destiny is determined by external forces; however, the practice of Buddhism can break through that notion and carve out the kind of life where you’re the author of your book—and not the coauthor, or a character in someone else’s story.”



It all ties in nicely with the explorations I’ve been doing on the nature of creativity. What is creative? Where is the line and why are we always looking for it? Herbie seems to have gone further and may have small pieces of the big answers. You have to find ways past the predictable, and it doesn’t come from practice. It comes in the little moments where you let go. The mistakes that most of us try to erase or do over may be the most glorious moments in our creative lives.

I’m just entering the world of jazz and beginning to learn all of the emotional/intellectual levels it accesses. So, an afternoon of Herbie Hancock seems like a great way to spend a Sunday.


© Copyright 2014 – Arts Enclave.



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Can you name 3 famous people from the Renaissance—who weren’t artists?

Catherine de Medici doesn’t count because she supported the arts. My point is that from the 14th century into the 16th (and up to the 18th in parts of Europe) artists dominated world thinking and the human race made more progress than it had in the 1000+ years before. Rulers and Kings routinely kept composers, playwrights and painters in their courts, and the notions of philosophers, scientist/artists (for science was more about imagination than rigorous study it is today), led the thinking of the European powers. The power of the people was in the arts.

Think of that the next time you think something you paint, write, compose, perform or photograph doesn’t matter.

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No matter what creative art form you choose, that mystical process in your head will be exploring the question of what subject to paint, photograph, or write about.

Technique is your calling card, but subject is the soul of an artist. Why you choose what you choose as the central focus of a painting, a novel or short story, a film or a photograph, and even a song, delves deep into the gray matter that makes each artist unique. It’s where you tap into the full blueprint of your experience via your individual emotional wiring to deliver your personal statement to the world.

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No matter what your outlet is, you can only work creatively in small bursts. Forcing yourself to write for hours, or to paint all day, or to write a song when it’s just not coming is not only frustrating, it’s COUNTER-CREATIVE. Your juicy little mind needs a time out now and again to be able to do what it does automatically. The river in your brain will naturally take you to where ideas are most fertile. But to do this, you have to stop paddling the canoe.

Stirring Adirondack panorama by Carl Heilman, II, taken from his canoe. Go to http://www.CarlHeilman.com for more.

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Several years ago I took an entertainment law class at NYU with an instructor who had worked a great deal in the music industry. At that time, around 2004, he proclaimed the music industry as we knew it, to be dead, and so he had turned his efforts to film and film scoring to try to make up for the lost income. But what were the many recording artists who had spent a lifetime amassing their bodies of work supposed to do in an industry that seemed to have eyes only on American Idol? The clever ones learned to reinvent themselves. Read more

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